It’s easy to overload cpu with these groups using high densities and long grain lengths. This is the method for generating individual “voice ID’s” 0-127 that Bidule can recognize inside the polyphonic adapter. Inside each of the four groups you will see a *voice.manager group driving the polyphonized group. It’s a nice approach, and the resulting sounds can be lovely. Without the poly adapter scheduling voice events (for grains), making multiple copies for something like this would simply use too much cpu.īidule comes with some built-in stuff for exploring granular synthesis - an Audio File Granulator and the PseudoGranulator group, as well as the stochastic midi groups. rootsix’s graincloud groups are another approach, essentially a gentle hack of the poly adapter, which opens doors to custom instruments. Inspired by other audio environments like SuperCollider and Pure Data, rootsix developed this clever method to “spawn new voices in an iterative way” using Bidule’s polyphonic adapter. Granular synthesis is that signature sound of many grains (voices) happening like a cloud.
This is why the chord subgroup was created. In other words, they are not capable of true n-key rollover (NKRO). Having not tested on other keyboards, it is safe to assume that HID note mappings could vary across brands of keyboards.Īpple qwerty keyboards only allow two keypresses across rows to pass through at one time. Referring to the source diagram from Wikipedia, numbers 1-3 are the red (major) triangles, number 4-6 are the blue (minor) triangles.Ī 2014 MacBook Pro and an external Apple keyboard (USB, maybe 2011?) were used for this.
These are based on chords produced by a middle row letter and the keys surrounding it, like above. This layout was created around the letter D as an A note.ĭ-R-E = F major (A is the maj3 in F major)ĭ-E-S = D minor (A is the fifth in D minor)ĭ-S-X = D major (A is the fifth in D major)ĭ-X-C = F# minor (A is the min3 in F# minor)Ĭhord triads are also assigned to numbers 1-6. The qwerty layout is not so bad for a tonnetz-type approach. First thing to do every time you load any Bidule layout using this is to go to the pulldown and make sure your keyboard is selected in the HID pulldown.
#Using plogue bidule in pro tools 1st mac#
This group uses Bidule’s HID Extractor to remap the three rows of letters on a mac qwerty keyboard to a portion of a tonnetz. This is the ReadMe included with the group: _circler creates a stereo circling effect by panning back and forth, alternating louder/softer. Spread_2ch does similar with audio that’s already 2-channel. _spread & _spread_2ch A simple effect that turns a single channel audio signal into a 2-channel signal, then creates a spatial spread effect by inverting and delaying the second channel. _wow_flutter Another analog tape effect, emulating tape deck playback aberrations. Since automatic double tracking uses roughly the same principle, I put them in one group. _tapeflange_adt Emulates analog tape flange. I modified it and added the Bidule’s Wavefolder to it for some heavy waveshaping/distortion. _chorusFolder An early Bidule user who went by mdk made an awesome chorus effect. Three buffer delays, two that can transpose the audio signal feeding to a third “master” delay effect. _transBuffer Because I loved the Destroy FX Transverb plugin. (I should replace the reverb in the chain with the FreeverbX group….)
Uses an audio buffer to reverse an audio signal, adds reverb, then reverses it back. It sounds quite a bit better than the original, imho. All these will show up in the Bidule palette under jersmi>_effects.įreeverbX Remake of the built-in Freeverb group using the newer Comb Filter 2 and Allpass Filter 2, with low and high cut filters.
0 kommentar(er)
